#82: Sunrise: A Song of Two Humans (1927)

Oscar Winner:

*Best Picture - Unique and Artistic Production, Best Cinematography, Best Actress (Jay Gaynor)

* The only time this category was awarded to a film

Ah yes... The first silent film on this list. Guess what? It's not even a comedy! It would almost take bribery to get most people to sit down and watch a silent film, but just like any type of history, one needs to discover something's past to truly gain an appreciation for it. It's been since college that I've really taken the time to sit down and watch a silent film, and although I don't recommend doing it at 10 p.m. (silent film = sleepiness), I'm so glad I did it with Sunrise.

Directed by the famous German director, F.W. Murnau (most famous for the vampire flick Nosferatu), Sunrise mixes Hitchcockian thrills and romance to tell a tale of rekindled love. Blended with the German expressionism style that Murnau made so famous (how about that film history knowledge being dropped on you!) and enhanced passion that audiences so love, Sunrise follows The Man (George O'Brien) and The Wife (Janet Gaynor) whose marriage is on the rocks. One night, The Man is tempted by The Woman From the City (Margaret Livingston) to kill his wife and leave his farm and children behind for a glorious big-city life with her. With obvious guilt-ridden feelings, The Man can't go through with the plan, but through this more-than-major set back, a stronger bond forms between the married couple.

This film is 83 years old and its amazing to see the apparent influence it has had on now current films. Two major components stood out to me. First off, I loved the cutting-edge editing and camera work of the film. Silent films always seem to be constrained in one setting, so it was refreshing to see an older movie get away from the genre’s static nature. Also, Murnau uses overlay effects to great dramatic effect that still seem innovative today. Even the very few title cards have an artistic breath to them. I couldn't help but think that Moulin Rouge was heavily influenced by this film by not just the editing, but the setting as well. Which brings me to the second component... The cinematography is beautiful. It's not a surprise that it won the Oscar for this category in the way that it captures its vast cityscapes that often had me admiring how they filmed their scenes.

Unfortunately, these technical achievements couldn't hold my attention very well when the second act of the film started. I absolutely loved the beginning and the end of this ironic fairy tale, but as the couples romance starts to bud once again, things start to slow down and it starts to feel like... well, a silent movie. Don't get me wrong, it's still a very engaging story, but the middle almost feels like a completely different film. But it's needed to have the very strong payoff at the end.

I would be remorse if I didn't mention the strong performances in the film. Silent film acting is a whole different type of performance and O'Brien and Gaynor bring so much conviction and realness to their roles. I would love to see how present actors would fair in a silent film like this. In a way, I think it would be an experiment that would really separate the really great actors from just the good ones.

If I hadn't started to get bored somewhat during the middle of this film, Sunrise would get a much higher rating for me. Despite that, I would definitely recommend it to just about anybody and if you forced to only watch one silent film to be an example for the genre, I wouldn't mind this one being it.

I give Sunrise: A Song of Two Humans 4 out of 5 drunken piglets.

The Proposal (2009)

As many romantic comedies that are out there today, you tend to forget how important chemistry is between an actor and actress. There’s been Astaire & Rogers, Hepburn & Tracy, and now… Bullock & Reynolds? I wouldn’t go quite to that length, but I loved how the two actors worked together in this one. They save what is a not-so-inventive plot.

Andrew (Ryan Reynolds) is an over-worked assistant to a quite cruel, big shot book editor, Margaret Tate (Sandra Bullock). When Margaret realizes that she hasn’t updated her Canadian immigration papers, she bribes Andrew into marrying her to avoid deportation. The two then fly to the mystic land of Alaska to meet Andrew’s family to redevelop what is already a strained relationship.

Pretty farfetched, huh? It’s not that the two make the plot plausible, but they make you forget about the silly concept by their reactions to each other and their circumstances. Betty White as Andrew’s grandmother adds a lot of humor and strength to her role, and although the character is way out there, Oscar Nunez from The Office brings life to a supporting role that usually would be forgettable.

Bullock and Reynolds aren’t quite Hepburn & Tracy yet, but if they continue to do movies like screwball comedies of old, they might just make it there. I give The Proposal 3.5 out of 5 nude run-ins.

Side note:
Are “funny” deleted takes during the closing credits becoming too overdone? The ones in this film just don’t make sense and aren’t funny. It almost left a bad taste in my mouth.